The main problem I have with Men’s Rights Activists is that their name really doesn’t do them justice. They’re Straight Cis White Men’s Rights Activists. I have NEVER seen Men’s Rights Activists campaign for the inclusion of trans* men in their spaces.

I have NEVER seen Men’s Rights Activists campaign to end the social stigma around black fatherhood. I have NEVER seen Men’s Rights Activists campaign for better pay and equal career mobility for men of colour. I have NEVER seen Men’s Rights Activists actively campaign for more gay men’s rights. I have NEVER seen Men’s Rights Activists advise others in their group on how using f*ggot to emasculate men who aren’t part of their cause is alienating and marginalising other MEN.

I have NEVER seen Men’s Rights Activists campaign, raise awareness of, or support victims of male rape unless it’s in order to derail a discussion around female victims of rape. I have NEVER seen Men’s Rights Activists campaign, raise awareness of, or support male victims of domestic abuse unless it’s in order to derail a discussion around female victims of domestic abuse. Men’s Rights Activists are hypocrites and frauds.

They’re bitter privileged white men who don’t want to campaign for the rights of men — they want to campaign to keep their privilege unchecked and their ability to discriminate against others. If you want to be a real Men’s Rights Activist — be a fucking (intersectional) Feminist. Peace out.

(via thebicker)

If you’re gonna claim to be an activist, you’re gonna have to give a shit about people other than yourself. RADICAL.

(via fuck-yeah-feminist)

(via smilingrider)




daguerreotypeimages:

CARPENTER WITH AN ATTITUDE! An exceptional sixth plate occupational showing a very cocky young man seated sideways on a small, invisible chair. One of his arms is resting upon a blue and pink tinted tablecloth, with his wrist and casually arranged fingers just over the edge. That strong horizontal line directs visual attention to his other hand where he is holding the tools of his trade, a claw hammer and crosscut saw on his thighs. (via Dennis A. Waters Fine Daguerreotypes)

daguerreotypeimages:

CARPENTER WITH AN ATTITUDE! An exceptional sixth plate occupational showing a very cocky young man seated sideways on a small, invisible chair. One of his arms is resting upon a blue and pink tinted tablecloth, with his wrist and casually arranged fingers just over the edge. That strong horizontal line directs visual attention to his other hand where he is holding the tools of his trade, a claw hammer and crosscut saw on his thighs. (via Dennis A. Waters Fine Daguerreotypes)

(via artistjournals)


transistoradio:

Gustav Klutsis (1895-1938), Design for Loudspeaker No. 7 (1922), pencil, ink, and gouache on paper, 17.7 x 26.9 cm. Via Art Blart.

transistoradio:

Gustav Klutsis (1895-1938), Design for Loudspeaker No. 7 (1922), pencil, ink, and gouache on paper, 17.7 x 26.9 cm. Via Art Blart.

(via artistjournals)


tetedecaboche:

encre ¬

linda vachon / tête de caboche
facebook

tetedecaboche:

encre ¬

linda vachon / tête de caboche

facebook

(via artistjournals)


perleartistiche:




❖ Eric Zener ❖

perleartistiche:

❖ Eric Zener ❖

(via its-called-art)


asylum-art:

Notes on a paper universe by Michael Donnor

notes on a paper universe a newly completed photographic portfolio by michael donnor

Photo: Headed to the beach in search of that point on the distant horizon where fact and fiction collide…

All those stars and space, I’m not sure how it all happened and how I got here. I like to think though that Earth was ripe for the possible metamorphism of its elements into life, and over time that life here became us. It may have taken some time, but what is some time when compared to all time? Eventually, people evolved and were able to manipulate Earth’s elements from clay to bronze to steel to plastic. I remember once picking up some childlike miniature stars I noticed on the ground. And then, at that moment, the stars that hung above my head, became as close as the plastic ones lying in my hand. In time both become the same; both are real and fictitious.

Wallace Stevens perfectly wrote, “The final belief is to believe in a fiction, which you know to be a fiction, there being nothing else. The exquisite truth is to know that it is a fiction and that you believe in it willingly.”

Photography connects my human experience of the world as it informed by science, and pondered through philosophy. I see my reality as relative; constantly being sketched in my mind using my five limited senses. My images return to a childlike innocence of drawing fictions, to expose that my human experience is a set of perceptions interpreted as facts. Like a photograph can be accepted as an accurate depiction of what was; I believe my perceptions are all to often accepted as accurate and absolute of what is. My work questions the reality of my experience, and reveal that the truths the camera is perceived to capture are only fiction.

A photograph is an imperfect visual representation of a perception. All I am is perception, but it’s the only truth I will ever know.

(via its-called-art)


(via itslacour)


blindsprings:

uninhibitedandunrepentant:

alliseeisthewarpandimgoingmad:

fearandlothering:

niceliwright:

fearandlothering:

megaman2:

“there’s nothing wrong with the video game community”

I DO NOT WANT TO LIVE ON THIS PLANET ANYMORE

They all need a good punch in the D, tbh.

47% of gamers are female.

47% of gamers are female.

47% of gamers are female.

47% of gamers are female.

  1. 47% of gamers are female
  • 47% of gamers are female

And did I mention 47% OF GAMERS ARE FEMALE.

IN FACT WOMEN OVER THE AGE OF 18 REPRESENT A SIGNIFICANTLY GREATER PORTION OF THE GAME-PLAYING POPULATION THAN BOYS 17 OR YOUNGER.

THESE STUDIES WERE PUBLISHED ONLINE FOR FREE TO THE PUBLIC - BY THE PEOPLE WHO OWN AND RUN E3 SO FUCK YOU AND YOUR MISOGYNISTIC BULLSHIT YOU ASSHOLES.

Flawless commentary warrants another reblog. :)

Well there’s ten individuals who’re never going to get a date ever…

Never.

Not.

Relevant.

arggghhhhhhhhh

(via smilingrider)



(via kh0st)


lehroi:

Moonassi Drawings | Detached, 2014.
Daehyum Kim

(via kh0st)


janinefwooten:

Artist @charmaineolivia  #charmaineolivia #artist #art #beauty

janinefwooten:

Artist @charmaineolivia #charmaineolivia #artist #art #beauty

(via charmaineolivia)


fuckyeahbrutalism:

Ralston Purina Headquarters, St. Louis, Missouri, 1971
(Hellmuth, Obata & Kassabaum)

fuckyeahbrutalism:

Ralston Purina Headquarters, St. Louis, Missouri, 1971

(Hellmuth, Obata & Kassabaum)